4 elements of every query letter
I recommend your query include these elements, in no particular order (except the closing):
The housekeeping: your book’s genre/category, word count, title/subtitle
The hook: the description of your story and the most critical query element; 150-300 words is sufficient for most narrative works
Bio note: something about yourself, usually 50-100 words
Thank you & closing: about a sentence
https://www.alyssamatesic.com/free-writing-resources/successful-query-letter-examples
Laurie Abkemeier
DeFiore and Company
Interested in Representing:
BIPOC Voices, Journalism/Investigative Reporting, Narrative Nonfiction, Nonfiction, Pop Culture
Representative Authors:
Jennifer Keishin Armstrong, John Grogan, Nathalia Holt, Cal Newport, Jessica Lahey, Yumi SakugawaMiriam Altshuler
DeFiore and Company
Interested in Representing:
Autobiography/Memoir, Commercial Fiction, Fiction, Journalism/Investigative Reporting, Literary Fiction, Narrative Nonfiction
Representative Authors:
Harriet Brown, Andrew Carroll, Robb Forman Dew, Barbara Esstman, Joanna PearsonLaurie Abkemeier
DeFiore and Company
Interested in Representing:
BIPOC Voices, Journalism/Investigative Reporting, Narrative Nonfiction, Nonfiction, Pop Culture
Representative Authors:
Jennifer Keishin Armstrong, John Grogan, Nathalia Holt, Cal Newport, Jessica Lahey, Yumi SakugawaMiriam Altshuler
DeFiore and Company
Interested in Representing:
Autobiography/Memoir, Commercial Fiction, Fiction, Journalism/Investigative Reporting, Literary Fiction, Narrative Nonfiction
Representative Authors:
Harriet Brown, Andrew Carroll, Robb Forman Dew, Barbara Esstman, Joanna PearsonBetsy Amster
Betsy Amster Literary Enterprises
Interested in Representing:
Fiction, Graphic/Illustrated, Literary Fiction, Narrative Nonfiction
Representative Authors:
Dr. Elaine Aron, Sandi Ault, Kim Boyce, Robin Chotzinoff, Margaret Leslie Davis, María Amparo Escandón, Tom Fields-Meyer, Tanya Ward Goodman, Joy Nicholson, Christopher Noxon, Dr. Barry Prizant, Louise Steinman, Terry Theise, Diana WellsNicole Aragi
Aragi Inc.
Interested in Representing:
Feminist, Graphic/Illustrated, Historical, Literary Fiction, Narrative Nonfiction
Representative Authors:
Jonathan Safran Foer, Cols
Finding a lit agent/quarrying websites
QueryTracker,https://querytracker.net/agents/
https://www.publishersmarketplace.com/
AgentQuery, https://www.agentquery.com/
Poets&Writers, https://www.pw.org/literary_agents
Get a Literary Agent. (new agntes incase I get turned down by all big ones:)
https://literary-agents.com/new-literary-agents/
First Qurry: Dan Conaway | Member | Publishers Marketplace
Lust of lit agents im gonna quarry too one by one
I consider personalization or customization of the query optional. More on that later.
Some agents and publishers require that you mention comparable or competitive titles. You can learn how to research your comps in this post.
In its entirety, the query shouldn’t run more than 1 page, single spaced, if printed, or somewhere around 200 to 450 words.
LGBT-focused lit agents https://literary-agents.com/list-of-literary-agents/gay-literary-agents/
https://literary-agents.com/list-of-literary-agents/gay-literary-agents/
LIT AGENT WISHLIST:
Joshua A. Bilmes. Add to shortlist. ...
Jennifer DeChiara. Add to shortlist. ...
Dan Conaway. Add to shortlist. ...
Ellen Geiger. Add to shortlist. ...
Julie Barer. Add to shortlist. ...
Lauren Spieller. Add to shortlist. ...
Danielle Egan-Miller. Add to shortlist. ...
Sydelle Kramer. Add to shortlist.
Pamela Ahearn: A literary agent at The Ahearn Agency
Jessica Alvarez: A literary agent at BookEnds Literary Agency
Malaga Baldi: A literary agent at Malaga Baldi Literary Agency
Agnes Birnbaum: A literary agent at Bleecker Street Associates
Steven Chudney: A literary agent at The Chudney Agency
Lit agent backup websites if quarry tracker and p arket place dont work well To find a literary agent, you can check out:
Writers Market: A hardcopy book or online resource
Jeff Herman's Guide to Book Publishers, Editors, & Literary Agents: A helpful resource
AgentQuery: An online source for cross-checking information
Query Tracker: An online source for cross-checking information
To get an agent, you can pitch your book to them in the form of an email or covering letter.
I recommend brevity, especially if you lack confidence. Brevity gets you in less trouble. The more you try to explain, the more you’ll squeeze the life out of your story. So: Get in, get out.
QUrry agent wishlist
How to Write a Query Letter That Gets Manuscript Requests | Jane Friedman
FIRST PERSON I WANNA QURRY KEEPING TRACK
Dan Conaway
Writers House
21 West 26th Street
New York, NY 10010
E-Mail:
conawaysubmissions@writershouse.com
Website:
AALA Member:
Yes (Visit Site)
Query Methods
Accepts queries via...
Postal Mail
Did this agent skip your query?
Find this agent at...
Association of American Literary Agents
Offcial Lying Flatt, Qurry Letter.
https://www.querylettergenerator.com/generator
Catgagory: Fiction
Genres: Comedy, yA, music memoir, historical fiction, LGBT, romance,
Word count: 221557
Tittle: Lying Flatt: Book one Glory Days
Lying Flatt: Hook -Narrtive Summury
in a world of rock n roll memoirs, that claim to be “real” “the dirt” what really happened all those wild years on he road that the public is just dying
Sevral qurry Letters for sevrlal agents: how to rewrite your letter next
The Secret to Getting an Agent's Attention
https://www.tiffanyhawk.com/blog/how-to-write-an-awesome-personalized-query-letter
Personalize your opening. Your first few lines are where you can immediately show them you’re querying them for a reason and that your book is right for their list.
Appeal to an agent’s taste in your opening
Obviously, you already know not to waste an agent’s time, or yours, by pitching a romance novel to someone whose list is dominated by political thrillers or literary essay collections.
But there’s a lot more to it than that.
You want them to quickly see that you’ve written in a genre they represent, as well as a subgenre they regularly sell, and that the book is similar to other books on their list in tone or topic or style. You can determine that by researching agents’ sales histories, Manuscript Wish Lists, interviews etc.
Demonstrate that your book is a great read
I know it’s exceptionally hard to boil your book down to a paragraph or two, but it’s crucial to get this right.
There are two primary ways to do this.
Using only the most essential details, make it clear that you have a compelling protagonist, and make his or her story arc clear.
Be specific not generic
Besides cut-and-paste jobs blasted out indiscriminately all over New York, the second most common mistake I see authors make with their queries is that they focus on themes at the expense of story, saying things like “this is a story of love and loss” or “guilt and redemption.” Or they try to sell the book with subjective claims like “page-turning” or “thought-provoking.”
The problem? None of that says anything. It’s all so generic that it could apply to practically every other book on their shelves and in their inbox.
The secret is to get specific about how your book is special. When in doubt, ask yourself if there’s any chance the agent could mistake it for another book. If so, you’re doomed. Your story should sound like nothing else.
Which book would you rather read?
“A provocative and assured novel of morality and miracles, science and sacrifice set in the Amazon rainforest. It delivers an enthrallingly innovative tale of aspiration, exploration, and attachment. It is a gripping adventure story and a profound look at the difficult choices we make in the name of discovery and love.”
Now, we’d all love it if a reviewer spoke so highly of our books, but as a sales pitch – a query or back cover copy – it tells us nothing. Besides a hint of adventure in an Amazon setting, that could describe any number of books. That summary is nothing but themes and subjective claims.
Let’s try this again with the same book.
“Dr. Marina Singh, a research scientist with a pharmaceutical company, is sent to track down her former mentor, Dr. Annick Swenson, who seems to have all but disappeared in the Amazon while working on what is destined to be an extremely valuable new drug. Nothing about the assignment is easy: not only does no one know where Dr. Swenson is, but the last person who was sent to find her, Marina's research partner Anders Eckman, died before he could complete his mission. Plagued by trepidation, Marina embarks on an odyssey into the jungle in hopes of finding Dr. Swenson as well as answers to troubling questions about her friend's death, the state of her company's future, and her own past.”
Both descriptions are fair, and in fact the first description is what Amazon actually uses for Ann Patchett’s State of Wonder, but they can only get away with that because of her fame. The second one, which you’ll find on Patchett’s own website, is far more engaging because it brings to life a specific character with a specific problem in a unique situation.
What does it take for agents to see you as a professional author?
Don’t worry. I’m not suggesting you need to already have a bestselling book or an MFA from a prestigious school or a column in the New York Times (thought those sure won’t hurt!). What I mean is that you’ll show them that you’ve done your homework. You’ll be pitching something that’s like what they already represent or something new they’ve asked for. You’ll be polite. You’ll use a standard format to make their job easier. You’ll follow any submission guidelines they might have.
A Tried and True Query Letter Template
Describing your entire novel in a one page query letter may feel impossible (it does to me!). Thankfully there’s a standard but effective formula you can follow, spicing it up with your own style.
First, I'll introduce the query letter formula, and then I'll show you exactly how to rock each section.
Section one should do two things. It should demonstrate that you’re a savvy professional pitching this particular literary agent for a reason. (I’ll tell you howto personalize your opening below.) Next, it should quickly introduce your book.
Section two should tell the agent about the story and leave them wanting more.
Optionally, you can compare your novel to other similar books. (More on how to find those books below.)
Section three of your query should introduce you and your background. (Don’t worry if you’ve never published anything before. There are plenty of other things to say.)
Section 1: Your Query’s Opening
This is the place to show an agent that you know who they are, that you targeted them for a reason, and that you’re not blindly sending this same query to a thousand agents you found online, most of whom are not a fit.
The goal here is not to kiss up or stroke the agent’s ego. It’s to show that you know who they are and what they like and that you have a reason for querying them specifically.
Next, quickly introduce your novel with title, word count, and genre.
This can be extremely simple. For example, “I’m hoping you will consider my 83,000-word historical novel, [Insert Your Title Here].”
Section 2: The Story
This is the really hard part. You’ll want to summarize your book in one or maybe two paragraphs. This means leaving out A LOT! You need to be specific enough that they understand who and what the book is about, but the goal is not to give them a CliffsNotes rundown of the entire plot. It’s to get them to read more.
In other words, the job of a query letter is to paint your book into a pretty little box that they can instantly understand BUT at the same time make it seem special and like nothing else they’ve read before.
If that sounds challenging, start by filling in these blanks:
MAIN CHARACTER, a ______________, desperately wants to _____________, but _____________ is getting in the way. To reach his/her goal, character tries _____________ but that plan fails because of _____________.
Once you have the bird’s eye view of your story, add in some specific details about the characters, their location, and the lurking danger. Avoid being generic. Help them see how your character’s situation is unique.
Section 3: Your Bio
If you have any writing credentials, this is the place to mention them. Definitely include your publications or awards or your MFA. If you’ve been selected for a prestigious conference or residency, include that.
Section 4: The Closing
End with a short, polite closing. Something as basic as, “Thank you for your time and consideration” is perfectly professional. If their submission instructions ask for additional materials like the synopsis or opening chapters, mention those attachments here.
In the end
I know it’s daunting, but your book is worth it! I can’t make this process fun, but I can try to make it a little easier and a lot more effective.
What do you think? Are you going to personalize your queries? Do you feel ready? Let me know your thoughts and concerns in the comments.
https://www.publishersmarketplace.com/members/dconaway/
As well as some of your other queer books such as Pronoun Trouble, and other Rock N roll Memoirs such as Bruce. The subjects covered in my book are ever topical, about fatphobia, coming of age as a queer person in a small town, painfull iconclation, fame, and how being yourself weather on stage or at home, was and is neccairy, and brave and this story is a testament to that. Lester Flatt as a young,sharp tounged, screwed up, frontman, an unreliable, pathgical liar and overly earnest aspiring rock star in the rough, unforgiving 1980s, my book delves into some unique corners of those subculture, like jersey cheesy one hit wonder hair metal, NYC punks, taking tours through iconic stubcture tenpoles, like CBGBS, Trash and Vaudile, the limelight, the importanc of archiving queer music history. Lester’s voice is likeble, funny, shocking, morally conifcting and a uniquely brash, a silly teenage force of nature that your readers, from young queers to gen x, to die hard rock readers, are all bound to be along for the ride.
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